The Vampire Lestat: The Oedipiphany

In episode 2, “Toledo,” Gabriella stars in a Freudian trip down memory lane, pairing flashbacks to Lestat’s youth with a sleazy mother/son date in Ohio.

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Production still featuring Sam Reid as Lestat and Jennifer Ehle as Gabriella, both sitting at a piano, Gabriella smoking a cigarette and resting her head on Lestat's shoulder.
From 18th century France to a TVL tour stop in present-day Toledo, we’re thrown head-first into Lestat’s most longstanding toxic relationship—with his mother, Gabriella. Image courtesy Sophie Giraud/AMC.
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“It’s different for vampires,” says Lestat in the closing moments of episode 2, an excuse he tosses out as a last resort, after struggling at length to defend his incestuous relationship with his mother. The preceding 45 minutes, however, do not exactly support his claim.

Lestat and Gabriella’s dynamic is obviously fucked up when they’re drinking each other’s blood and prowling strip clubs together in 2025, but they weren’t a picture of healthy family behavior back in their human days either, as we discover when Lestat’s voiceover turns back the clock to 18th-century Auvergne. Setting the tone with some very direct allusions to Freud, we’re invited to examine what kind of parenting creates an individual like Lestat.

Most likely due to budget and time constraints, this episode compresses Lestat’s youth into a handful of brief scenes in his ancestral home, in a sequence that will probably be received very differently by viewers depending on whether they’ve read The Vampire Lestat. Introducing Lestat as the youngest son of an ancient but unimpressive aristocratic family, episode 2 depicts his childhood as a time of isolation. His father and brothers are brutes, while his mother spends as much time as possible with her head in a book, poisonously frustrated by the restrictions that society has forced upon her. Sensitive, stuttering young Lestat is the one exception to her disgust, sharing her outsider status in a household of bullies.

One notable element from the book that didn’t fully make it to the screen is the fact that while Gabriella values education very deeply, she doesn’t make any attempt to educate Lestat herself. She outsources this task to a local monastery—a revelatory chapter of his life in the novel, but glossed over quickly here—and when her husband forces Lestat to return home only partially literate, she leaves him to fend for himself. So while Lestat is her favorite child, she isn’t particularly interested in raising him. She simply doesn’t want to be a mother.